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"I will come, of course," says Mona, nervously, "but I am afraid she will be disappointed. You will excuse me, Mr. Rodney, I am sure," turning graciously to Paul, who is standing with folded arms in the background.,"I am staying at a shooting-lodge called Coolnagurtheen. Do you know where that is.",With mingled feelings he quits his home, and all the way up to London in the afternoon train weighs with himself the momentous question whether he shall or shall not accept the unwilling invitation to the Towers, wrung from his mother.,"Not even to you," very gravely. There is reproof in her tone. They are standing somewhat apart, and her eyes have been turned from him. Now, as she says this, she changes her position slightly, and looks at him very earnestly. From the distant ballroom the sound of the dying music comes sadly, sweetly; a weeping fountain in a corner mourns bitterly, as it seems to Mona, tear by tear, perhaps for some lost nymph.,To travel here and there, from city to city and village to village, with Mona, would be a far happier arrangement. But underlying all else is a longing that the wife whom he adores and the mother whom he loves should be good friends.,To Geoffrey perhaps the coming ordeal bears a deeper shade; as Mona hardly understands all that awaits her. That Lady Rodney is a little displeased at her son's marriage she can readily believe, but that she has made up her mind beforehand to dislike her, and intends waging with her war to the knife, is more than has ever entered into her gentle mind.,At this Lady Rodney sits quite upright, and turns appealingly to Violet. "Oh, Violet, I do hope not," she says.,"Yes,—in her own estimation," says the duchess, somewhat severely, whose crowning horror is a frisky matron, to which title little Mrs. Lennox may safely lay claim.,Rodney laughs, in an inward fashion, biting his lip and looking down.,"The lake here? No," says the duchess.,The bell stops, and a loud knock at the hall-door takes its place. Was ever sweeter sound heard anywhere? Mona draws her breath quickly, and then as though ashamed of herself goes on stoically with her task. Yet for all her stoicism her color comes and goes, and now she is pale, and now "celestial, rosy red, love's proper hue," and now a little smile comes up and irradiates her face.,"Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection..